Tags
African American horsemen and horsewomen|, horses in art, Kentucky, painting, race horses, slavery, social problem fiction
A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history (publisher)
“Brooks’ chronological and cross-disciplinary leaps are thrilling . . . [Horse] is really a book about the power and pain of words . . . Lexington is ennobled by art and science, and roars back from obscurity to achieve the high status of metaphor.”—The New York Times Book Review
“[Brooks] demonstrates imaginative empathy […] and provides some sardonic correctives to White cluelessness . . . Brooks skillfully […] demonstrate[s] how the poison of racism lingers. Contemporary parallels are unmistakable . . . Strong storytelling in service of a stinging moral message.” —Kirkus Reviews (starred review)
“Brooks probes our understanding of history to reveal the power structures that create both the facts and the fiction . . . [She] has penned a clever and richly detailed novel about how we commodify, commemorate, and quantify winning in the United States, all through the lens of horse racing.”
—Library Journal (starred review)