“Wow! I loved The Holdout, in which author Graham Moore does the impossible, creating a page-turning legal thriller with a twisty and absolutely riveting plot, as well as raising profound and thought-provoking questions about the jury system and modern justice. All that, plus a strong and compelling female heroine in lawyer Maya Seale, whom you’ll root for as the tables turn against her and she finds herself behind bars, with everything on the line. You won’t be able to put this one down!”—Lisa Scottoline, #1 bestselling author of Someone Knows
“The twists are sharp and the flashbacks that uncover what each juror knows are placed for maximum impact in this rollicking legal thriller. . . . Moore expertly combines deft character work with mounting bombshell revelations in a story that will attract new readers and also seems primed for the big screen.”—Library Journal (starred review)
“This stellar novel from bestseller [Graham] Moore takes a searing look at the U.S. justice system, media scrutiny, and racism. . . . Moore has set a new standard for legal thrillers.”—Publishers Weekly (starred review)
“[A] stemwinder of a murder mystery wrapped in a legal thriller . . . The story is gripping, and the pace is furious.”—Booklist
I just discovered this detective murder mystery series. Once I finished the first book, A Rising Man, I had to rush to read this second one immediately and am anxiously waiting my turn on the wait list for the third, Smoke and Ashes. That’s because Captain Sam Wyndam, former Scotland Yard detective, and Indian born, Sergeant Banerjee are quite the pair and it all takes place in post WW I India where there are still elephants, palaces, jewels, opium, temples, maharajas, harems, etc. It is a delectable read!
“Brilliant. Wyndam is an intriguing protagonist, offering crisp narration that’s sometimes slightly arrogant, sometimes amusingly self-effacing. Add in clever dialogue that’s laden with double entendre, and what more can a hardcore whodunit fan ask for?”- Bookpage (Top 10 Mystery of the Year)
“Mukherjee is adept at multifaceted, slow-burn plot manipulations. Packed with incident and intrigue, yet never in a way that sacrifices historical verisimilitude or character development for the sake of a thrill. At its heart, the novel and its prequel, A Rising Man, take the buddy-cop formula and turn it on its head in endless rotations. From the cars to the flowers to the moth-eaten flags, Wyndham sees empire for the lie that it is. This makes him an intriguing embodiment of the intricacies and hypocrisies of the period―especially in Mukherjee’s hands.”