20 Wednesday Oct 2021
Posted in 20th century, adventure, Fiction, Historical Fiction, Travel, United States
Tags
1933-1945, animal rescue, Depression, Dust Bowl, giraffes, human-animal relationships, interpersoal relationships, San Diego Zoo, zoo keepers
13 Wednesday Oct 2021
Tags
families, FBI, investigation, missing persons, Sausalito (CA), Secrecy, stepdaughters, thriller fiction
05 Tuesday Oct 2021
Posted in 20th century, Non-fiction, United States
Rosa Brooks is a law professor at Georgetown University and founder of Georgetown’s Innovative Policing Program. From 2016 to 2020, she served as a reserve police officer with the Washington, DC, Metropolitan Police Department. This is a fascinating glimpse of what modern policing (and training) is like from the point of view of a liberal feminist
“Brooks has an anthropologist’s ear for the language of policing, jumping from the reports full of passive-voice bureaucratese to the darkly humorous, profanity-laden shoptalk. She zips from hilarious descriptions . . . to bone-dry observations. . . . [Brooks’s] style recalls the work of immersion journalists like George Plimpton, Ted Conover and Barbara Ehrenreich—who happens to be Brooks’s mother. Brooks makes this part of the story, nesting in a book on policing a beautifully written mini-memoir about growing up the daughter of a famous activist and writer, who disdains the police but also values a certain toughness.” —New York Times Book Review
“Delivers a nuanced and revealing chronicle of her experiences training to be a reserve police officer in Washington, D.C. . . . [Brooks] vividly sketches her patrol partners and the D.C. residents they encounter, and highlights problems caused by mass incarceration, racial discrimination, and lawmakers turning ‘trivial forms of misbehavior’ into jailable offenses. . . . This immersive, illuminating, and timely account takes a meaningful step toward bridging the gap between what American society asks of police and what they’re trained to deliver.” —Publishers Weekly (starred review)
“A thoughtful book that offers abundant material to rile up—and edify—Blue Lives Matter and Defund the Police advocates alike.” —Kirkus
17 Saturday Jul 2021
Posted in 20th century, Fiction, United States
“A quiet gem of a first novel. The author’s lyrical prose and stark portrayal of grief and guilt…is conveyed so movingly this story is hard to put down. With language poetic in its cadence and capable of seamlessly transporting our minds and emotions to another place and time, this accomplished debut will be welcomed by readers of authors such as Willa Cather, Alice Munro, Amy Tan, or Lisa See.”―Library Journal
“Beneficence is amazing in its vision. Luminous. With wisdom and compassion, Meredith Hall writes about the capacity for atonement. Beneficence, then. Goodness. Generosity to see deeply, to live through fear and pain on your journey toward the awareness of splendor.”―Ursula Hegi
“These voices from the past speak so clearly to our time, at a moment when many of us wonder whether we’ll lose the things that we consider blessings….Beneficence is a quiet but steady book, one that echoes ancient and important rhythms.”―Washington Post
“Spare but decked with moments of crystalline beauty…. A family flounders in grief, but finds their way home through forgiveness and acceptance, in Beneficence, Meredith Hall’s gorgeous and moving new novel.”―Foreword, starred review
Readers of Kent Haruf would like this book.
07 Wednesday Jul 2021
Posted in 20th century, Biography, Non-fiction, United States
Tags
biography, Hispanic American women dramatists, language and culture, Pennsylvania, Philadelphia, Quiara Alegria Hudes, racially mixed people
Lin-Manual Miranda (creator of Hamilton) wrote the music and lyrics for the musical In the Heights, soon to be released as a movie June, 2021. This is the fabulous book that inspired Miranda. The author’s energized use of English, Spanglish, Spanish and music colors a rich world journey from the North Philly Heights to Yale. I loved the whole experience of reading each page of this book.
“Quiara Alegría Hudes is a bona fide storyteller about the people she loves—especially the women in her family who cook, talk, light candles, and conjure the spirits. Enormously empathetic and funny, My Broken Language is rich with unflinching observations that bring us in close, close, without cloaking the details. The language throughout is gorgeous and so moving. I love this book.”—Angie Cruz, author of Dominicana
“Every line of this book is poetry. From North Philly to all of us, Hudes showers us with aché, teaching us what it looks like to find languages of survival in a country with a ‘panoply of invisibilities.’ Hudes paints unforgettable moments on every page for mothers and daughters and all spiritually curious and existential human beings. This story is about Latinas. But it is also about all of us.”—Maria Hinojosa, Emmy Award–winning journalist and author of Once I Was You: A Memoir of Love and Hate in a Torn America
“Joyful, righteous, indignant, self-assured, exuberant: These are all words that could describe Quiara Alegría Hudes’s My Broken Language. The celebrated playwright calls her language broken, but in this extraordinary memoir she actually remakes language so that it speaks to her world. . . . Hudes’s first name is an invented endearment, a form of the verb querer, which means “to love.” . . . There may be no better compliment to the author of this marvelous, one-of-a-kind memoir than to say she truly lives up to her name. With My Broken Language, she has invented a language of love and to-the-bone happiness to tell stories only a Perez woman could share.”—BookPage (starred review)
21 Monday Jun 2021
Posted in 20th century, Fiction, murder and investigation, United States
Tags
coming of age, detective and mystery, drugs, families, Indians of North America, Michigan, Ojibwa Indians, racially-mixed people, undercover operations
“Boulley, herself an enrolled member of the Sault Ste. Marie Tribe of Chippewa Indians, writes from a place of love for her community and shares some key teachings from her culture, even mixing languages within the context of the story. She doesn’t shy away from or sugar-coat the very real circumstances that plague reservations across the country, and she tackles these through her biracial hero who gets involved in the criminal investigation into the corruption that led to this pain. An incredible thriller, not to be missed.” ―Booklist, Starred Review
“A suspenseful tale filled with Ojibwe knowledge, hockey, and the politics of status.” ―Kirkus Reviews
“Though Firekeeper’s Daughter contains gripping action sequences and gasp-inducing twists, it’s Daunis’ mission of self-discovery, which begins as a low and steady growl and grows to a fierce, proud roar, that has the most impact… Though it both shocks and thrills, in the end, what leaves you breathless is Firekeeper’s Daughter’s blazing heart.” ―BookPage, Starred Review
“Immersive and enthralling, Firekeeper’s Daughter plunges the reader into a community and a landscape enriched by a profound spiritual tradition. Full of huge characters and spellbinding scenes, it gives a fascinating insight into life on and off the reservation, with Daunis as a tough and resourceful heroine through every vicissitude.” ―Financial Times
**While this book may be classified as Young Adult in some libraries, I surely enjoyed reading it as an adult.
14 Monday Jun 2021
Posted in 20th century, detective, Fiction, Humor, murder, murder and investigation, United States
Juggling motherhood, divorce, a writing career going nowhere, Finlay’s life takes a 360 degree turn while meeting with her agent at Panera. It’s a wild ride. Hilarity at its best. And who can’t use a light, quick, fun-to-read murder mystery right about now?
“Read in a single night, applauding along the way. For anyone who’s ever wished to turn her life around, Finlay Donovan is the master. From failing everything, to succeeding brilliantly, she proves you only need to get mistaken once for a contract killer, to solve all your problems.”
―Lisa Gardner, #1 New York Times bestselling author of When You See Me
“Part comedy of errors, part genuine thriller… Deftly balancing genre conventions with sly, tongue-in-cheek comments on motherhood and femininity, Cosimano crafts a deliciously twisted tale.”
―Booklist
“Funny and smart, twisty and surprising―Finlay Donovan is a character to root for. This suspenseful romp made me laugh but also kept me on the edge of my seat with its many surprises. I can’t wait for the next book!”―Megan Miranda, New York Times bestselling author of The Last House Guest
17 Monday May 2021
Posted in Biography, History, United States
Tags
biography, Eilizabeth Blackwell 1821-1910, Emily Blackwell 1826-1910, health in the United States, sexism in medicine, women in medicine, women physicians
“Nimura shocks and enthralls with her blunt, vivid storytelling. She draws on the writings of Elizabeth and Emily in an intimate way that makes it feel like she knew the sisters personally. Alongside glaring descriptions of culturally ingrained sexism and discrimination, the biography also touches on how our standards of medicine have changed over the decades, showing how even the most scientific of professions are subject to major culture shifts.”― Jennifer Walter, Discover Magazine
“Ms. Nimura’s portrait of the Blackwells’ America blazes with hallucinatory energy. It’s a rough-hewn, gaudy, carnival-barking America, with only the thinnest veneer of gentility overlaying cruelty and a simmering violence. It’s an America yearning for relief from disease, besotted with séances and spiritualism, quack cures and phrenology; a deeply divided America, with bloody fissures between rich and poor, North and South, city and countryside.”― Donna Rifkind, Wall Street Journal
“All doctors and all patients owe a debt to these eccentric, determined, brilliant characters, Elizabeth and Emily Blackwell, who found their way across the strange and bloody landscape of nineteenth-century medicine and transformed it forever, all brilliantly conjured in Janice P. Nimura’s wonderful book.”― Perri Klass, author of A Good Time to Be Born
24 Saturday Apr 2021
Tags
best friends, detective, ex-convicts, mystery, revenge, thriller
“I LOVED this book. From the riveting plot to the beautiful writing. But mostly what kept me longing to get back to it each day were the characters, especially young Duchess. Fierce, brave, vulnerable, she leaps off the page fully formed. As does Walk. How aptly named. A chief of police on his own inexorable journey. This is a book to be read and reread and an author to be celebrated.”
—Louise Penny, #1 New York Times bestselling author
“It’s an instant classic….Let’s begin at the end. After you’ve turned the final page of Chris Whitaker’s magnificent new novel, you’ll struggle–I struggled, certainly–to describe the experience…it recalls the very best of Tana French and Dennis Lehane. Think of Duchess Day Radley as a twenty-first-century Scout Finch, tough and curious and good. In fact, think of We Begin at the End as a novel at the same time distinctly American and profoundly universal.”
—A.J. Finn, author of the #1 New York Times bestseller The Woman in the Window
“Two damaged children–one timid and sweet, the other foul-mouthed and furious–will break readers’ hearts in this well-plotted and perfectly-paced novel. If, like me, you love stories that kidnap your intended schedule because you can’t not keep turning the pages, then I wholeheartedly recommend Chris Whitaker’s We Begin at the End.”
—Wally Lamb, New York Times bestselling author of I Know This Much Is True
“This is an epic drama and a profound masterpiece. I’ll be amazed if I read a better novel this year.”
—Daily Mirror (UK)
16 Friday Apr 2021
Posted in 20th century, Biography, memoir, United States
Tags
American women poets, biography, family violence, mothers and daughters, Natasha D. Trethewey 1966-
Pulitzer Prize–winner Natasha Trethewey was U.S. Poet Laureate in 2012 and 2013. While this is a compelling memoir of her immutable love for her mother with whom she traveled down the same road of horrible outcome and of her delicate straddling of the white/black worlds they both shared, it’s her choice of words, her rhythm, her pacing through a “too-short” 211 pages that registers in the reader’s heart and mind. This makes it a superior read.
“Natasha Trethewey has composed a riveting memoir that reads like a detective story about her mother’s murder by a malevolent ex-husband. It reads with all the poise and clarity of Trethewey’s unforgettable poetry—heartrending without a trace of pathos, wise and smart at once, unforgettable. The short section her mother penned as she was trying to escape the marriage moved me to tears. I read the book in one gulp and expect to reread it more than once. A must-read classic.” (Mary Karr, author of The Liars’ Club; Cherry; and Lit)
“Beautifully composed, achingly sad…This profound story of the horrors of domestic abuse and a daughter’s eternal love for her mother will linger long after the book’s last page is turned.” (Publishers Weekly)
“In Memorial Drive, Natasha Trethewey has transformed unimaginable tragedy into a work of sublimity. There’s sorrow and heartbreak, yes, but also a beautiful portrait of a mother and her daughter’s enduring love. Trethewey writes elegantly, trenchantly, intimately as well about the fraught history of the south and what it means live at the intersection of America’s struggle between blackness and whiteness. And what, in our troubled republic, is a subject more evergreen?” (Mitchell S. Jackson, author of Survival Math)
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