15 Monday Nov 2021
Posted in 20th century, Fiction, murder, murder and investigation
Tags
college teachers, murderers, mythology, psychological fiction, secret societies, truthfulness and falsehood, University of Cambridge
08 Monday Nov 2021
Posted in 20th century, Biography, nature, Non-fiction
Tags
British Columbia, Forest conservation, forest ecology, forest regeneration, Suzanne Simard, trees, women conservationists
“Simard writes of her own life, born and raised into a logging world in the rainforests of British Columbia, of her days as a child spent cataloging the trees from the forest and how she came to love and respect them—embarking on a journey of discovery, and struggle. She’s been compared to Rachel Carson, hailed as a scientist who conveys complex, technical ideas in a way that is dazzling and profound. Her TED talks have been viewed by more than 10 million people worldwide.” (Amazon)
“Galvanizing . . . As Simard elucidates her revolutionary experiments, replete with
gorgeous descriptions and moments of fear and wonder, a vision of the forest as an ‘intelligent, perceptive and responsive,’ comes into focus . . . A masterwork of planetary significance.” —Booklist (starred review)
“Simard artfully blends science with memoir in her eye-opening debut on the ‘startling secrets’ of trees . . As moving as it is educational, this groundbreaking work entrances.”—Publishers Weekly (starred review)
“Simard has spent decades with her hands in the soil, designing experiments and piecing together the remarkable mysteries of forest ecology . . . elegantly detailed . . . deeply personal . . . A testament to Simard’s skill as a science communicator. Her research is clearly defined, the steps of her experiments articulated, her astonishing results explained and the implications laid bare: We ignore the complexity of forests at our peril.”—The New York Times
30 Saturday Oct 2021
Posted in Non-fiction
Tags
biography, creative non-fiction, essays, Ireland, Irish poetry, poetry, self-realization in women, women authors
A contemporary Irish woman sets out to learn more about Eibhlín Dubh Ní Chonaill, an 18th century female Irish poet, and her famous lament for her husband. In her reading and travels around Ireland, she finds connections between her own life as a poet and mother to this woman born hundreds of years earlier. This is an unusual book, and I loved the beautiful writing and pieces of Irish poetry and history.
“A powerful, bewitching blend of memoir and literary investigation … Ní Ghríofa is deeply attuned to the gaps, silences and mysteries in women’s lives, and the book reveals, perhaps above all else, how we absorb what we love―a child, a lover, a poem―and how it changes us from the inside out.”―Nina Maclaughlin, New York Times
“A Ghost in the Throat moves between past and present with hallucinogenic intensity as the narrator uncovers the details of the dead woman’s life, each revelation deepening her own sense of herself as a writer and a woman and creating in the process a brave and beautiful work of art.”―Republic of Consciousness Prize
“A fascinating hybrid work in which the voices of two Irish female poets ring out across centuries. ‘When we first met, I was a child, and she had been dead for centuries,’ writes Ní Ghríofa in her first work of prose―and what a debut it is. Earning well-deserved accolades abroad, the book merges memoir, history, biography, autofiction, and literary analysis… Lyrical prose passages and moving introspection abound in this unique and beautiful book.”―Kirkus (starred review)
20 Wednesday Oct 2021
Posted in 20th century, adventure, Fiction, Historical Fiction, Travel, United States
Tags
1933-1945, animal rescue, Depression, Dust Bowl, giraffes, human-animal relationships, interpersoal relationships, San Diego Zoo, zoo keepers
13 Wednesday Oct 2021
Tags
families, FBI, investigation, missing persons, Sausalito (CA), Secrecy, stepdaughters, thriller fiction
05 Tuesday Oct 2021
Posted in 20th century, Non-fiction, United States
Rosa Brooks is a law professor at Georgetown University and founder of Georgetown’s Innovative Policing Program. From 2016 to 2020, she served as a reserve police officer with the Washington, DC, Metropolitan Police Department. This is a fascinating glimpse of what modern policing (and training) is like from the point of view of a liberal feminist
“Brooks has an anthropologist’s ear for the language of policing, jumping from the reports full of passive-voice bureaucratese to the darkly humorous, profanity-laden shoptalk. She zips from hilarious descriptions . . . to bone-dry observations. . . . [Brooks’s] style recalls the work of immersion journalists like George Plimpton, Ted Conover and Barbara Ehrenreich—who happens to be Brooks’s mother. Brooks makes this part of the story, nesting in a book on policing a beautifully written mini-memoir about growing up the daughter of a famous activist and writer, who disdains the police but also values a certain toughness.” —New York Times Book Review
“Delivers a nuanced and revealing chronicle of her experiences training to be a reserve police officer in Washington, D.C. . . . [Brooks] vividly sketches her patrol partners and the D.C. residents they encounter, and highlights problems caused by mass incarceration, racial discrimination, and lawmakers turning ‘trivial forms of misbehavior’ into jailable offenses. . . . This immersive, illuminating, and timely account takes a meaningful step toward bridging the gap between what American society asks of police and what they’re trained to deliver.” —Publishers Weekly (starred review)
“A thoughtful book that offers abundant material to rile up—and edify—Blue Lives Matter and Defund the Police advocates alike.” —Kirkus
24 Friday Sep 2021
Posted in 20th century, action, adventure, Fiction, Historical Fiction
“As ever, Rachel Joyce made me laugh out loud, then weep for the battered majesty of ordinary human beings. Two unlikely heroines, their strange love, a pitiful villain, and a life-affirming search for miraculous beauty . . . all combine in a wild, hopeful picaresque journey into the soul.”—Bel Mooney, Daily Mail“
17 Friday Sep 2021
Posted in Fiction, Historical Fiction
Tags
colonial period ca. 1600's, malicious accusation, marital violence, Massachusetts, New England, Puritans, suspense, thriller, Trials (Witchcraft)
Since I have a Salem witch relative, I was waiting anxiously for this book. Not Salem this time – Mary Deerfield’s trial all takes place in Boston. This was a riveting read. I was on the edge of my seat, gripping drama but reader take note – ** absolutely, no-matter what, read all the way to the very last page.
“Hour of the Witch is historical fiction at its best… Insightful and empathetic… Thick with details as chowder is with clams… handled with great skill and delicacy. The book is a thriller in structure, and a real page-turner, the ending both unexpected and satisfying.”—Diana Gabaldon, The Washington Post
“Classic Chris Bohjalian—moments of deep dread, extraordinary plot twists, and characters you love to root for paired with characters you love to hate.”
—Writer’s Digest
“Throughout Bohjalian’s prolific career, he has rewarded readers with indelibly drawn female protagonists, and the formidable yet vulnerable Mary Deerfield is a worthy addition to the canon. Conjuring up specters of #MeToo recriminations and social media shaming, there are twenty-first-century parallels to Bohjalian’s atmospheric Puritan milieu, and his trademark extensive research pays off in this authentic portrait of courage in the face of society’s worst impulses. Bohjalian is a perennial favorite, and this Salem Witch Hunt drama has a special magnetism.”—Booklist, starred review
10 Friday Sep 2021
Posted in 20th century, anecdotes, Biography, Humor, Non-fiction
Tags
adulthood, American women authors, finding oneself, humor, middle aged women, television talk show hosts
“Mary Laura Philpott is relentlessly funny, self-effacing and charming as she tells the story of living as a triple-A-plus perfectionist. Everything in her life is done on time and exactly right, until, of course, it all starts to fall apart. In her willingness to tell her own story, she taps into a universal truth for so many women: We plan to do it all until we find we can’t do anything anymore. I Miss You When I Blink made me laugh, it made me cry. I miss it already.” — Ann Patchett, author of This Is the Story of a Happy Marriage and Commonwealth
“At once a love letter to type-A people everywhere and a gentle reminder that it’s okay (necessary, even) to change, this full-hearted book is a warm embrace of a life lived imperfectly.” ― Esquire
“Mary Laura Philpott is the friend you call when you want to cry but need to laugh. What a treat to spend time with her distinctive voice as she plumbs life’s quotidian moments to unearth deeper, universal truths. Wry, intelligent, and searingly honest, this book is a joy.” — Cynthia D’Aprix Sweeney, author of The Nest
“Mary Laura Philpott is a writer, artist, and creator of singular spark and delight. I adore her, and I love her work. Thank God she has finally written a memoir! By offering these dispatches from her own life experience, she leaves us thinking about ourselves—where we’ve been, where we’re going, and who we really want to be.” — Elizabeth Gilbert, author of Eat, Pray, Love and Big Magic
03 Friday Sep 2021
Tags
authors, authorship, book plots, novelists, plagiarism, psychological, theft, truthfulness and falsehood
When a failed writer hears an amazing idea for a novel, he never imagines he’ll one day get the chance to take it for the plot of his own book. His book is a huge success, but someone else knows that it wasn’t really his idea. This suspenseful novel was a real page turner!
“As a longtime fan of Korelitz’s novels (including “You Should Have Known,” which was made into HBO’s “The Undoing”), I will say that I think The Plot is her gutsiest, most consequential book yet. It keeps you guessing and wondering, and also keeps you thinking: about ambition, fame and the nature of intellectual property (the analog kind).”―The New York Times Book Review
“Deep character development, an impressively thick tapestry of intertwining story lines, and a candid glimpse into the publishing business make this a page-turner of the highest order. Korelitz deserves acclaim for her own perfect plot.”
―Publishers Weekly (STARRED Review)
“’The Plot’ is wickedly funny and chillingly grim…it deserves to garner all the brass rings.”―The Wall Street Journal
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